The continual development of new media technologies has had an effect on almost every aspect of our lives. New digital media teamed with the open expression of individual perspectives has allowed for a new kind of documentary production, where now we are not only an audience, but an active viewer who has been placed into the scene on screen.
This relatively new technique in documentary making can be seen in Jeremy Mendes and Leanne Allison’s 2012 documentary, Bear 71. The documentary is an interactive web experience which follows the daily life of a grizzly bear Canada’s Banff National Park, who was tagged as a cub and whose movements are followed by cameras. Like an animal version of The Truman Show, Bear 71 documents the bear’s movements via numerous cameras and places you in the perspective of the bear, navigating its natural environment while demonstrating the strong human influence present. Bear 71 is an example of how digital and networked technologies can further add a sense of truth and reality to documentaries and provide insight into what the audience may otherwise be unaware of. By immersing the audience into the scene, this technique of documentary filmmaking allows the audience to question what they know and look deeper into the moral side of the subject.
New media has also changed the way we traditionally view documentaries. With the rise of social media and personal smart devices, almost anyone anywhere can create their own documentary of sorts. The popularity of YouTube has meant that almost anyone with a camera can become a vlogging celebrity, using the documentation of their everyday lives as entertainment for their global audience. The growing popularity of GoPro cameras also allows for users to create a documentary of their experiences from their own perspective and share this with an audience, placing their viewers in their position so as to make them feel as though they are the ones in the scene.
With the continual development of these techniques and technologies, the process of documentary making can continue to evolve and challenge the concepts of traditional formats, allowing audiences to not only interact as viewers, but as an active audience involved in the experience.
References:
- Jeremy Mendes and Leanne Allison’s (2012) Bear 71 at <http://bear71.nfb.ca/#/bear71> from Canada’s National Film Board